Stutter Edit 2 adds new Comb and Chorus modules, along with a full-featured Reverb and two-band Distort module.
With new AUTO mode, users can add sounds to mixes without routing or easily connect a MIDI controller to access multiple gestures at once. This new version offers an easier setup experience and a greatly expanded suite of effects that give access to near-infinite combinations of sound. In addition to the stutter effects, performers and producers can juggle between a multitude of rhythmic gestures to build tension and create dynamics, both in live performances and studio arrangements. This was performed into the arrangement with MIDI, triggering the effect with one note, and then ending it by triggering an empty slot assigned to another MIDI note.Stutter Edit 2 creates the famous “stutter” editing effect with one button, slicing audio into small fragments and sequencing the pieces into razor-sharp rhythmic effects, recreating techniques that previously took hours to perfect in a studio.
What makes this more dramatic is that the gesture’s global release is set to “Stick” which isn’t disengaged until the third measure of the gesture. In the example below, we’ve incorporated a chorus, a comb filter, flanging, a low-pass filter sweep, and a delay device that kicks in towards the end of the two-bar gesture. Layering several modules, all with different envelope contours or evolution over time, can let this plug-in truly shine. These types of stutters and jumps work really well in many different types of electronic music, at any point in a track.Ĭreate transitions with sweeps and delaysĪ well-placed filter sweep will get the blood pumping, but Stutter Edit 2 gives you several more ways to cut across the frequency spectrum and create interesting textures that will help you crash into your drops and hooks.įor filters, the modules you’ll want to mess with are Comb, Phaser, Lowpass, and Highpass, and for delayed signals, you can incorporate Chorus, Flanger, and Delay. Variation in the stutter rate, the order in which the audio gets played back or ‘stepped’, the jitter, and panning all come together to create a controlled sort of chaos. The example below was made with the BT Fractal Frank preset without effects processors engaged and only the Stutter module in play. You can create really interesting patterns and effects by varying the rate of the stutter, jitter parameters, movement of the sampled audio, and the direction/contour of all of the above gestures over time. A well-executed stutter creates a sense of anticipation and acceleration or deceleration, which cues your listener into the fact that something epic this way comes.
Right there in the name of the plug-in, stuttering is one of the things Stutter Edit 2 does best. Let’s take a look at three key techniques we can use to create dramatic and effective transitions in our tracks. The result is massive movement, all with the touch of a button. Stutter Edit 2 gives you immediate and creative access to gestures and sounds that would typically require a slew of devices and a whole lot of thinking to accomplish. Here we learn about what’s possible and a few quick ways to leverage the power of Stutter Edit 2 to take us from boom to BANG! Stutter Edit 2 is the latest version of a powerful and playful plug-in that allows you to chop, twist, stutter, toss your audio up into the air, and drop it like it’s hot.
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